ACTING NEW YORK

What is Acting in New York ?

Acting New York is the work of an actor or Actress , a person in theatre, film, or any other storytelling medium who tells the story by portraying a character and, usually, speaking or singing the written text or play. From the Latin word tin word tin word meaning "to do", this is precisely what acting is. In acting, an actor suppresses or augments aspects of their personality in order to reveal the actions and motivations of the character for particular moments in time. The actor is said to be "assuming the role" of another, usually for the benefit of an audience, but also because it can bring one a sense of artistic satisfaction. Actors are generally expected to possess a number of skills, including good vocal projection, clarity of speech, physical expressiveness, a good sense of perspective, emotional availability, a well developed imagination, the ability to analyze and understand dramatic text, and the ability to emulate or generate emotional and physical conditions. Well-rounded actors are often also skilled in singing, dancing, emotional expressiveness, imitating dialects and accents, improvisation, observation and emulation, mime, stage combat, and performing classical texts such as Shakespeare. Many actors train at length in special programs or colleges to develop these skills, which have a wide range of different artistic philosophies and processes. Modern pioneers in the area of acting have included Mani Madhava Chakyar, Konstantin Stanislavski, Jerzy Grotowski, Lee Strasberg, Uta Hagen, Stella Adler, Michael Chekhov, Viola Spolin, Sanford Meisner, Bertolt Brecht, and Maria Ouspenskaya.

What is Method Acting ?

Method acting, or as it is sometimes simply known, the Method, is a technique used by actors. Method acting is thought to have revolutionized acting as we known it today. It is the antithesis of the wooden actor and uses techniques such as sense and memory to achieve realism in acting. Actors who use the Method rely on using their own emotions from their past in order to bring new depth to a part.

Method acting is thought of as an American form of acting, but it was a Russian theatre director named Konstantin Stanislavski who wrote books on the subject in the 1930s. Around the same time, one of Stanislavski’s students, Richard Boleslawsky, opened an acting school in New York. Boleslawsky began teaching Stanislavski’s basic principles of acting.

In the 1940s and 50s, method acting was popularized and taught at the legendary Actors' Studio in New York City by famed acting teacher Lee Strasberg. Another school in New York, called the Actors' Group, also taught the method under the coaching of Stella Adler. Acting students came from far and wide to learn this new technique.

Popularity of the Method grew with the work of actors such as Marlon Brando and James Dean. Their style of acting, or non-acting, was considered a breakthrough in the acting world. Compared to old style actors such as Clark Gable, theirs was an acting of previously unseen raw emotion and sensitivity. Other famous actors who have studied the Method are Al Pacino, Paul Newman and Robert DeNiro.

Method acting is thought to one of the most difficult techniques to learn. There are no technical forms or lessons that can be practiced to learn it. There are numerous versions of the Method, taught by different teachers. Most of the techniques are based on the sense or emotional memory process. The actors have to fully immerse themselves in the character in order to sense all of the experiences the character would.

Stella Adler, who taught method acting to both Marlon Brando and Robert DeNiro, studied method acting with Stanislavski. Her teaching methods involved using memories or an incident from the actor’s own life to enhance his or her acting. By doing this, actors can use real emotions in portraying their characters.

Although method acting is thought to be the most realistic of techniques it can sometimes present a minor irritation to other actors. Dustin Hoffman once went without bathing and sleeping for two days in order to immerse himself in a role. On seeing Hoffman’s condition, Laurence Olivier his co-star in the film, famously asked him, "Why don’t you just act?"

ACTORS IN NEW YORK

What is an actor in NY ?

An actor in New York city, actress, is a professional performer who acts, and / or plays a role, on screen or stage.

There are many arguments about what acting really is? Some say to be an actor is to act as someone else, others say it's being yourself on different levels.

Acting = Being: Being someone else, being yourself, being at a certain place, being at a certain time.

A professional actor is someone who can make us believe he is not acting, but actually being.

How to become an actor in New York ?

Below are some recommended steps to start or try an acting career.

Step One

Know that you are entering one of the most competitive businesses in the world. Even though you are an amateur, it is no place for amateurs. With that being said, take this trial, or new career very seriously. Be professional.

Step Two

If you live in New York, Los Angeles, London, or any other major city, then you are lucky. If you don't do your best with what you have, but consider that eventually, you'll probably have to move to a major city. However, no matter where you are, you have to start 99% the time in an acting class. Don't live in an illusion that you're skilled just because you think so, or someone else told you so. Skills and experience are very different.

Step Three

Enroll in acting class. Good actors study their entire lives. Just like a professional basketball player is practicing twice a day (no matter how great he is), same go for actors. There is always something to learn. There are many places and individuals that offer acting classes, make sure they are certified, or at least recommended by someone. Just like that a good acting teacher can help you grow, a bad one can hurt your career. Choose wisely.

Step Four

Get a headshot. It doesn't have to be a great, expensive photographer, but it needs to be a great shot. My first headshot was with a very famous photographer which worked with Brad Pitt, Johnny Depp , and Keanu Reeves, unfortunately it didn't do anything for me. I wasted a lot of money, and it wasn't a good experience or a good result.

A few years later, my girlfriend took a few pictures in the back yard with her new camera. Those picture gave me more auditions then any other professional one. So, it is not the photographer, it is the picture. Get a great one!

Step Five

Compose a résumé of all the work you have done so far. As your body of work grows, drop the less professional work (such as school plays) from your résumé. If you are just starting, and don't have any experience what so ever, then list only your training, and add hobbies (that you're good at), and other special skills. For more information how to compose an acting resume, read about our Resume tips.

Step Six

Send your headshot and résumé with a brief Cover letter to all the casting directors and agents in your area. Follow up with postcards every four to six months, updating them on your current acting projects. Always remember, you are your best promoter. No one can promote yourself better than you.

Step Seven

Read the trade papers regularly: "Backstage," "Variety," and "The Ross Reports", as well as online publications such as Actors Pages. Know what is being cast where, and send headshots and notes directly to directors and producers whenever possible, requesting auditions. Always seek new information, and also share new information with other actors. Don't be afraid that they will take the job from you. Only your lack of desire and experience can do that. If you share with other actors, they will share with you.

Step Eight

Always accept invitations to industry events and parties, and meet industry professionals whenever possible. Who you know is extremely important. Be accessible and open. Actors need to be seen at all times.

Step Nine

Believe! Believe! Believe! Don't get disappointed, depressed, or give up because things don't go your way. I got my first gig after five years of struggle. My first gig was with Steven Spielberg. I have friends that worked those entire five years, and all they really want is to work with Spielberg. A true actor never gives up.

ACTING AUDITIONS IN NEW YORK

What are NY Auditions ?

New York Auditions - Interview for actors conducted by a director or a casting director in order to determine if the actor fits the role. The actor should prepare a monologue or in most cases read from the project's sides.

Usually after a successful audition, the actor would be asked to come again for a callback.

An audition is a sample performance by an actor, singer, musician, dancer or other performing artist. It is used in the casting process to demonstrate the level and range of a performer's talent, and functions as a job interview for the performing arts. A typical audition involves the performer displaying their talent through a previously-memorized and rehearsed solo piece: for example, a monologue for actors or a song for a singer.

Some auditions involve cold reading, or performing a script that the actor is not familiar with. This is similar to many dance auditions, in which the focus is on learning new choreography, rather than showcasing prepared work.

For smaller roles in a large production, mass auditions are held at which many inexperienced or aspiring performers, most without agents or manager show up. These are popularly known as cattle calls, since the hopefuls are often kept together in one large room like a herd. American Idol is doing auditions by using this technique, since there are so many auditions.

New York Auditions Advice from Casting Directors :

Ask any casting director what matters most when an actor shows up to an audition. Most will say, "They need to be prepared." (Showing up on time can't hurt either.)

These should be obvious, but it's surprising how many actors make a bad impression with something as simple as inappropriate behavior. It can knock you out before you step into the ring. Remember: Casting directors already have the job — you don't. So you need to prove yourself to them, not the other way around.

Other suggestions we heard from CDs: Avoid unnecessary chit-chat. Don't linger in the room for too long after you read. Stay away from using most props. And avoid making physical contact with the casting director during your audition.

A feeling of desperation is another sure way not to get a callback. Never view an audition as nerve-wracking nightmare, or make it look that way. Consider each audition an opportunity: A chance to perform for an audience — albeit a small one. Or walk into the audition saying, "No matter what happens, I'll do the best I can today." Remember: The casting director is not here to judge you harshly; he or she simply wants to find the perfect person for the role. That could be you.

Actors sometimes seek out coaching for auditions, but primarily for large film/TV roles, or for admittance to an MFA program. Many believe it is worth the expense — if only for the boost in self-confidence. In last-minute emergencies, actors even resort to phone coaching, although that's not an ideal situation.

However, with or without coaching, one trap to avoid is too much preparation. Read the sides carefully but don't freeze your approach — you may be asked to change it. Longtime coach and acting teacher Craig Wallace says he never sends actors out 100 percent set for the audition. "If you're over prepared, you have no flexibility," he says. "And you don't know what 50 percent of the process is until you walk into the room.

"You can't have the piece controlling you. You have to leave room for the circumstances of where you're going to be."

New York Audition Tips !

Come at least 15 minutes earlier to your cal time.
Make sure not to eat at least two hours before your call time.
Try not to talk with anyone in the audition room. Kindly ask them not to disturb your preparation. No, it is not rude, it is necessary.
When you come into the audition, it is strongly recommended to arrive as the character. Remember that this is why you are here for. Your own persona can come out only after the casting director thanked you for coming.
If you require to bring your own monologue, always choose something that feels familiar to you. Don't take inaccuracy risks when you auditioning. Leave the risks in your acting class.
Choose a strong piece that don't exceed 5 minutes. A good efficient length would be 2-3 minutes.
Remember that there was some action before the character begun to speak. Think what happen before your character speaks its first line. It will help you get into the character faster and most likely eliminate some disturbing butterflies.
Don't rush your lines. Even if you feel you lost it. You are not a mind reader, and therefore don't know what the casting director is looking for.
Many times the casting director would tell you to say your name to the camera. Sometimes this is the only thing you have to do in your audition. Don't take this thing lightly. It is the way you present yourself, even with one line that can get you the audition.
BELIEVE.

NEW YORK MODELING AUDITIONS

What are NY Modeling Auditions ?

Modeling Auditions in New York are different from Acting Auditions. As a model it is all about your look. And by saying that, it is not necessary that you need to look good. There are many models that are far from looking good, but they do look interesting and can carry themselves in a very unique way.

How to start a Modeling Career in New York ?

Start by a research on auditions in your local area. Most of major model casting is done in California, New York, and Europe. Every city has a few well established modeling agencies that are affiliated with major players in the industry. Not like acting, that one can promote himself and doesn't always need an agent, a model must have an agent, If you want to start a modeling career, then you need to start auditioning for a few different agencies and see what they say. The key to success here is to pick an agent that is well known and established! Ask for their references and credentials before signing any contracts.

NY Modeling Training

Modeling might seem like an easy profession, however it is not. It is true that like in any other profession some make it without any training, but if you are really into modeling, you need to learn a few basic things. Many models don't get the job because of lack of training and modeling experience. You can be the best looking individual for the spot, but someone else with more training and experience will take it. At least get some basic training from a specialized modeling school. The industry has many standards that you need to follow when you audition for major players. If you are considering modeling as full time career then you must invest into a portfolio and schooling. Great training cost good money, but be careful in your selections there are many scams.

New York Modeling Portfolio & Resume

Unlike headshots which an actor uses, a model must go through various photo-shoots and create a modeling portfolio. Putting together a processional modeling portfolio is a MUST! A portfolio should have variety of pictures, black / white and color, different poses, and a several different looks (swimwear, business, casual, etc.) Your portfolio is probably your most important tool that will sell you in the entertainment Industry. Remember modeling casting directors and agents will only look through your portfolio once, so you have only one chance to capture their interest. You should spend anywhere between $800-$2000 depending on the photographer. The best photographers also have awesome connections so there's a chance to be referred to a great modeling agency. All your pictures must be presented in an organized order. A modeling resume is much simpler. Just have all your current contact information, your height, size, weight, and clothing measurements. Be sure to include all the training and work you were involved in.

OPEN ACTING AUDITIONS IN NEW YORK

What are Open Auditions in New York ?

New York Open Auditions are a form of invitations to attend a casting interview conducted by a director or a casting director. Not like scheduled Acting Auditions, an open call will usually have no screening before, such as: headshot , resume , or demo reel submissions.

Open Audition Calls most likely have a lot of more actors attending. It's first come first served kinda of thing.

Many professional actors don't like open auditions as much as schedule auditions for many reasons. The wait time is usually much longer, the crowed is usually an amateur one.

There are however many professional productions that use open auditions calls because they have to go into production very quick. Those productions are usually theatre shows and musicals like Broadway productions.

New York Open Audition Tips !

Show up Early - Try to get there as early as you can. Casting directors are usually fresh in the early stage, and get very anxious in the mid to late stages.

While you Wait - Relax, allow yourself to loosen up and prepare.

Don't be loud - Try to keep it down while waiting for your turn to audition. Others are trying to focus on their audition and so should you. You don't want to be remembered as anything but a good performer.

Come prepared - Production offices are always short on pens, sides and so on. Bring your own.

ACTING SCHOOLS IN NEW YORK

Circle in the Square Theatre School
Objective: Circle in the Square Theatre School's primary objective is to train actors and singers for work in the professional theatre, film and TV with traditional and experimental approaches to dramatic presentation. Upon completion of the program you will have the range and ability to to perform varied styles and forms of theatre, film and television and so your talents can be drawn upon to support the outstanding tradition of performance for which Circle in the Square is renowned. The program is designed and structured to help each student develop technique and style with primary emphasis on the development of both intellectual and physical aspects so that the actor can achieve a successful interpretation of a role and work effectively as an ensemble member.
Location: New York

Juilliard School
Objective: After more than a quarter-century, The Juilliard School's Drama Division has remained faithful to the mission described in its very first recruitment brochure:

"We are trying to form an actor equipped with all possible means of dramatic production, capable of meeting the demands of today's and tomorrow's ever-changing theater, an actor who is capable of participating in those changes and who is inventive enough to contribute to them. For in the final analysis, whatever experiments may be attempted through fresh forms of writing, on new stages, using the latest technical devices, everything ultimately depends on the human being - the actor."
Location: New York

Lee Strasberg Theatre Institute
Objective: Lee Strasberg, legendary teacher of acting, was a man of great vision, responsible for the tradition of artistic truth and reality in acting that began in America over 50 years ago. The dream lives on. At the "The Lee Strasberg Theatre Institute", his concepts are taught to the serious actor of today.
Location: New York

The Acting Studio
Objective: The Acting Studio, Inc. is a private studio committed to the achievement of excellence in acting and directing as forms of creativity in art and entertainment. It is the perfect place for the serious actor. The Studio's associate directors, James Price and John Grabowski, have dedicated themselves to providing a comprehensive forum for actor and director training.
Location: New York

American Musical and Dramatic Academy
Objective: The American Musical and Dramatic Academy has excelled in its mission to train young artists toward success in the extraordinary world of the performing arts.
Location: New York

TVI Actors Studio
Objective: In the course of a decade, TVI has grown to be well-respected by industry authorities and working actors alike in both New York and Los Angeles. Constantly looking for new ways to offer services needed by actors developing their careers is why TVI Actors Studio is the nation's premiere center for professional actors.
Location: New York

American Academy Of Dramatic Arts
Objective: The Academy trains actors for stage, film and television by means of a structured, professionally-oriented program that stresses self-discovery, self-discipline and individuality. Academy training is, above all, practical. At each stage of development students are challenged to put what has been studied in classrooms to the test in performance.
Location: New York

Binghamton University Theatre
Objective: The Theatre Department provides graduate and undergraduate curricula in the history, theory, and practice of theater for liberal arts students as well as for students preparing for active competition in some aspects of the academic or professional theater.
Location: New York

Gene Frankel
Objective: None given.
Location: New York

East End Ensemble
Objective: The East End Ensemble was started two years ago, in a private home, on the eastern part of Long Island. It started as a small local acting class for adults looking to improve their communication skills; either for business, or for more personal reasons, and now it has expanded to include much, much more. The method of our madness is a belief, that acting and the arts are a means to help whole communities express, create, communicate, have fun, engage, and challenge
Location: Brooklyn

Robert X. Modica
Objective: Robert wants actors that he works with to be aware of the significant part they play in being a participant in the Art of Acting that takes place as a celebration and shared experience with other human beings called, "Audiences." That in transforming themselves as characters in a play or movie, they are serving a higher purpose.
Location: New York

New York University
Objective: Finishing on time and within budget is Hollywood's No.1 mantra, and the same goes at NYU. During the first year students make a number of short exercise films. In the second year, everyone completes a documentary on digital video, followed by a third-year agenda that requires shooting a thesis film and writing a feature-length screenplay.
Location: New York

Broadway Classroom
Objective: Broadway Classroom creates enriching and entertaining Broadway experiences for student and adult groups. A cooperative effort between some of the most exciting and educational shows on Broadway, Broadway Classroom offers groups of all ages
Location: New York

Improvisation Classes taught by Susan Kaessinger
Objective: Teaches improvisational acting skills which enable the performer to improve their confidence, spontaneity & creativity. Improvisation also teaches students to work as an ensemble and to validate and support their fellow performers.
Location: New York

The School for Film and Television
Objective: Two-Year accredited film acting program, summer programs, part-time workshops.
Location: New York

One Destiny Productions
Objective: A Manhattan based recording studio and commercial production facility, providing voice over artists with group workshops, demo production, and in-studio coaching.
Location: Manhattan

George DiCenzo's Acting Studio at the Greenwich Street Theatre
Objective:George DiCenzo's master class trains actors for stage and film. George encourages actors to reach their full artistic potential by exploring the truth in themselves and expressing that truth in their work. Burt Reynolds referred to George DiCenzo as "the best acting teacher in the country" on Inside the Actors' Studio.
Location:
Greenwich Street Theatre
547 Greenwich St.
New York, NY
For info: 212.352.4315

The Acting - Drama Therapy Centre of New York
Objective: This centre is dedicated to training actors technically and emotionally for the demands of the industry.
Location: New York

The Actors Theatre Workshop
Objective: The creative foundation of ATW is the culmination of Thurman E. Scott’s long, award-winning career as an actor, teacher, writer, director and producer as well as his distinction as the only Artistic Director who has trained with all the masters: Stella Adler, Lee Strasberg, Sanford Meisner, Bobby Lewis, Harold Clurman, Peggy Fury, Herbert Berghof, Jerzey Growtowski, and Alec Rubin. In his many years as a professional theatre artist, Mr. Scott has developed a unique and powerful acting system for the actor to express deep emotional reality and complex behavior through a trained and disciplined dramatic imagination.
Location: New York

Kimball Studio
Objective: The philosophy at Kimball Studio is that they act with truth. The environment is one that fosters the delicate balance between trust and risk, so that no one is afraid to be bold. Writers, directors and producers are encouraged to join in. The teaching blends several different classic and new techniques to develop one that is organic and personal for each actor. We learn through doing.
Location: New York

New York Film Academy
Objective: The New York Film Academy was founded ten years ago on a belief that a top quality education in filmmaking should be accessible to anyone with the drive and ambition to make films. The school opened in Robert De Niro’s Tribeca Film Center. Today the New York Film Academy occupies its own building, formerly known as Tammany Hall, as well as a complete school facility at Universal Studios and locations in numerous countries.
Location: New York

Actors Theatre Workshop
Objective: The Actors Theatre Workshop is a professional non-profit theatre company committed to addressing the conflicts and issues of our community through the creation of theatre. ATW develops and produces original, classical and contemporary works for stage and film. Through The Scott Acting Conservatory, ATW trains professional theatre artists in the art and craft of acting and writing and teaches original creative techniques that open up intuitive abilities, unlock curiosity, develop the imagination and liberate creative expression. ATW also teaches our original creative techniques to individuals from all walks of life, from business professionals in our Creative Expression Workshop for Non-Theatre Professionals to formally homeless children in our theater arts mentorship program, The Builders of the New World. These techniques reveal the wonderful, powerful creative force in all people and demonstrate that creativity is the great equalizer of human beings.
Location:
New York

Michael Rock's Improvisation Classes
Objective: Develop your spontaneity, creativity, self-confidence and interpersonal skills......and have FUN doing it!
Location: New York, New York

Ward Studio
Objective: The Ward Studio is unique among training programs in New York in that it provides complete traditional Meisner training and one-on-one career mentoring. Other schools may train you, but most do not have a structure in place to support you as you make the transition from the classroom to the marketplace and begin seriously pursuing a career.

At the Ward Studio, we are dedicated to a high standard of integrity and demand this from our teachers and our students. In our classes, you will find a commitment to being present both physically and mentally in a way that leads to a better working environment and more successful relationships within the classroom experience.

Our instructors have been selected for their expertise in their respective fields and their proven commitment to helping each student realize his or her own potential. Small classes, personal attention and individual challenges are guaranteed. The instruction is rigorous, but our instructors are nurturing -- a combination that consistently brings out the best in our students’ talent.
Location: New York, New York

Peter Kelley Acting
Objective: Professional acting training for film and television. Peter offers rigorous, ongoing classes for actors who are pursuing careers in film and long-form dramatic television and are seeking training to increase their proficiency and comfort on-set. Work is text-based and focuses on both the challenges and benefits specific to film . Classes center on straightforward scenework, all shot in close-up; no warm-ups, improvisations, theatre games, etc. in the classes. Intermediate and advanced level only; no beginning level classes available at this time. Private coaching is available.
Location: Tribeca, New York

The Ted Bardy Studio, Inc.
Objective: INTENSE, PERSONALIZED ACTING INSTRUCTION FOR THE SERIOUS, DEDICATED ARTIST. Motivated beginners, advanced actors, and working professionals all are welcome. Stanislavski/Meisner-based approach. Affordable, small intimate classes. Actors work multiple times every class. Current and former students include Broadway performers, Emmy award winners, and principals in feature films and network television. The Ted Bardy Studio offers a unique, accelerated 3-phase program in the Meisner technique. Special professional workshops offer an exhilirating environment in which active and former Members of the Studio, and advanced actors and working professionals of the highest caliber from outside the Studio, can feel safe enough to risk failure and therefore challenge themselves, keep limber, and grow as artists. Ted Bardy (when not instructing) personally supervises, observes, and evaluates all student work in all classes and workshops.
Location: Union Square section of New York City

Class Act Studios
Objective: class act studios is westchester's most sought after professional school for dramatic instruction since 1989. These workshops are designed specifically to help provide you with everything you need to know about performing in front of the camera or on the stage. We offer programs for the little ones to the young at heart!
Location: White Plains

Oxford Shake-speare Company
Objective: Shakespeare training through workshop classes leading to productions of the plays. Training in voice, movement, improv, and text analysis. A conservatory approach.
Location: New York

Stetson Studio
Objective: Stetson Studio provides quality training for the professional and pre-professional actor based in the Meisner technique. At Stetson Studio actors find the depth of their talent in order to respond to the human and artistic demands of each new role.
Location: New York

The Jason Bennett Actor’s Workshop
Objective: The Jason Bennett Actor's Workshop is a professional actor training program in New York that offers on-going classes, workshops and private coaching. We teach a cutting-edge synthesis of all the great acting methods. Our classes are small and intense. Jason Bennett's approach for theater, film and television includes intense exercises to free all your emotions, while rapidly expanding your imagination. Mr. Bennett works with actors on Broadway, in film and TV, and in theaters throughout the country.
Location: New York

Visionary Acting Training Intensive
Objective: Visionary Acting Training is a weekend workshop for actors of all experience levels where we focus on group and individual exercises combining vocal and emotional exploration, along with music and movement. Students are taught the fundamentals of these techniques and then guided through the process of applying them. Visionary Acting Training takes place in New York City one weekend a month and is also presented in other cities across the country.
Location: New York

AGENT MANIA
Objective: 15 Agents, Managers, Casting Directors, and Professionals from the Industry at each showcase. Where agents and managers find talent! Each actor will receive a written detailed analysis from each agent and manager Meet the Pro's. 6 hour workshop offered before and after the showcase. Atlanta, Ga. and New York City. [This is a Workshop Program]
Location: New York

ACTeen--Acting for Teens
Objective: ACTeen (est. 1978) is the nation's first on-camera acting academy developed for teens (ages 13 to 19). ACTeen develops dedicated pre-professionals into technically proficient, versatile, and marketable actors. Combining theatrical discipline (and over 15 electives) with spontaneous, effective on-camera acting techniques and courses, students learn to successfully perform both film and theater media with skill and professionalism.
Location: New York

International Theatre New York
Objective: Under the guidance of Artistic Director Robert Castle, actors at International Theatre New York enjoy individualized attention, small class size and the opportunity for performance in Company stage and film productions. This year ITNY students have been featured on Sex and the City, Law and Order, Third Watch and numerous independent films.
Location: New York

Ensemble Studio Theatre's NEW INSTITUTE Master Classes
Objective: Cultivate your acting and writing skills with professional and award winning Master Teachers films.
Location: New York

That Commercial Class
Objective: "A hands on Commercial class where students are on camera each week & get to audition for a Top Five New York agent." The class consists of 6 weeks where you get the information you could get all on your own from about 5 years of trial & error in the commercial business. Along with all the basics of Who's Who in the commercial world, How to join SAG, How to get an Agent, etc. you will be on camera, working with real copy from commercials every week. The feedback that you get from me, your fellow students (many of whom are working in the bus. at one level or another) and most importantly, SEEING yourself on camera will prepare you so that you will be ready the first time an agent sends you out for a national spot. The class is a safe environment where you will be encouraged to learn and make mistakes- better to make them here than on that first audition through a new agent where they will call the Casting Director and ask for feedback. The final week of the session you will audition for & get a chance to talk with a Top Five New York Commercial Agent who has been in the business for over 20 years with one of the biggest agencies in the business & is a wonderful person.
Location: New York

Theatrelab
Objective: Theatrelab is a new theatre school dedicated to the actor as the central artist in establishing a fresh ground for the theatre proper. Our classes begin with a rigorous biomechanics physical training course entitled The Thinking Body. Actors then move on to our Soliloquy, Scene Study, Collective Creation and Directing classes. All classes are showcase driven; each class concludes with a performance to an invited audience. Please visit our website for more information.
Location: New York

Michael Howard Studios
Objective: Since he began the Michael Howard Studios in 1953, Michael Howard, a veteran of the Neighborhood Playhouse and member of Actors Studio, has retained his core belief that there is no single "method" of acting, that all actors must be exposed to a wide array of skills and processes in order to develop their own method. Michael Howard Studios offers actor training of the highest caliber, taught by experts who are not only well-versed in the long traditions of their craft, but professionals, innovators and artists in their own right, eager to guide and mentor today's professional actor through the demands and possibility of the new century. We offer ongoing text and scene study classes (monthly enrollment); specialized weekly and intensive workshops; and professional conservatory programs.
Location: New York

ROBERT X. MODICA Acting Studio
Objective: In his 40 years of teaching, Robert X. Modica has dedicated himself to helping students develop their talent by guiding them to discover and express the truths of themselves in personal, meaningful, and imaginative ways. His teaching is based on the premise that one cannot realize the truth of the character without first knowing what it is like to "live and behave from the Gold one one’s own Truth." The definition of acting that he works from, handed down by Sanford Meisner, is "acting is the ability to live and behave truthfully under imaginary circumstances." Mr. Modica co-taught with Sanford Meisner at the Neighborhood Playhouse and was one of the few teachers chosen by Meisner to carry on his work. Mr. Modica’s commitment to truth within the work is as unwavering as is his belief in and respect for the uniqueness of each individual actor. Actors who study with Mr. Modica can expect to discover more authenticity, consistency, spontaneity and humanity in their work. John Turturro "a master acting teacher of great dedication, passion and insight."
Address:
Carnegie Hall Studio 809
881 Seventh Avenue
New York, NY 10019
212-245-2089
Location: New York

Craig Archibald Studio
Objective: The focus of my work as a coach is to prepare actors and actresses for the real world of the industry. From the reality of the business side to the importance of their technique and craft I coach my clients to be prepared for any situation they may come upon and to remain "living truthfully under imaginary circumstances" at all times. I do not teach a specific method but rather use all the methods to make my clients as good as their potential allows. "Craig is the best secret weapon an actor can have." Terry Kinney (co-creator of the Steppenwolf Theater Co.) Private and class sessions are both available at my studio in the West Village of New York City.
Location: New York

Aquila Theatre Company
Objective: We offer a wide variety of acting classes.
Location: New York

Tragic Improv
Objective: This program is perfect for both improvisers and actors. If you're an improviser, you'll learn some new tools and expand your range. If you love improv, but feel constrained to shallow scenes in comic classes, then this class is a good fit. If you're a traditional actor, this class will make your work more spontaneous and natural. Unlike most improv, we won't focus on witty exchanges of dialogue. Instead, we'll focus on emotional relationships, character development, group mind, stage presence, realism, and staying in the moment. With a samll class size of 12, each student will receive individual attention. Every performer works differently, and the class is designed to recognize and expand each student's unique abilities.
Location: New York

Biz Kids NY inc.
Objective: biz kids ny inc. is a conservatory style school specializing in the Professional Training of Young Actors. Commercials, film, television, theater. Mask, Lecoq, Grotowski, Stanislavki, Shakespeare, Musical theater and contemporary theater.
Location: New York

Studio Upstairs
Objective: Michael Chekhov Acting Playshop®: The Art of Inner Movement With this technique, the actor learns how to consider his body as an instrument for expressing his creative imagination. Chekhov’s practical approach enables actors to tap into their active imaginations and creative impulses. The result is inspired acting. MCP’s ensemble style creates a safe and fun environment for actors to learn and explore together.

Improv/Chekhov Playshop®: Finding and Following The Impulse This unique workshop is designed for improvisers with any level of experience and offers the artist new ways to be more creative and spontaneous on stage. Participants will work with the key concepts of the Keith Johnstone technique then augment these skills with the powerful and creative approach of Michael Chekhov technique.
Location: New York

The New Actors Workshop
Objective: The New Actors Workshop was founded in 1988 by Mike Nichols, George Morrison and Paul Sills to offer to a new generation the twin influences that determined the course of their careers. It is a two-year, full-time training with equal weight given to Performance Improvisation technique as developed by Viola Spolin (Paul Sills' mother) including weekly performances, and Stanislavski Method scene work as taught by Lee Strasberg. The program includes extensive work on voice, speech, and three different approaches to the body. We are small -- less than 50 students -- ensuring individual attention and continuity of instructors.
Location: New York

Actors Movement Studio Summer Theater
Objective: The curriculum includes a variety of physically based acting techniques and is specifically designed to develop the actor’s Imagination, voice and body, the total Instrument. Students will be immersed in an intensive program with Internationally acclaimed Master Teachers and Guest Artists while surrounded by the cultural abundance of NYC. Our Faculty has taught at major universities, studios and conservatories. Located in the heart of Manhattan’s theatre district, students will experience the professional atmosphere of the performing arts capital of the world. College credit and Affordable student housing is available.
Location: New York - Manhattan

The Elizabeth Browning Studio
Objective: Basic Acting Techniques: This is an excellent class for anyone who is new to acting; for anyone who interested in finding out more about what is involved in acting and for the seasoned performer who wants to brush up on the basics. Classes begins Thursday, October 19th. Basic Acting Skills for Teens I: This is an excellent class for teens who are ready to dive in and begin exploring the elements that go powerful acting. Classes begins Saturday, October 21st
Location: New York City

The Stella Adler Studio of Acting
Objective: Since 1949, the Stella Adler Studio of Acting has been one of the premiere acting schools in New York City. Offering a wide range of acting classes and acting programs, the studio aims to embody Stella Adler’s primary belief, that growth as an actor and growth as a human being are synonymous. A world class faculty coupled with the Harold Clurman Art Series, the Stella Adler Outreach Division and many other Studio programs are designed to work together to support the belief that the actor is an ever evolving human being. All programs, curricular and extra-curricular, support a single vision of actor training based on the insight that growth as actor and growth as a human being are synonymous. This conviction informs all that the Studio does, from classroom projects to curriculum to poetry readings and jazz and classical music concerts and beyond.
Location: New York City

A Class Act NY
Objective: at A Class Act NY, Acting Studio. We offer kids and teens weekend workshops in Manhattan. All of our workshops have students working with Broadway Stars along side NYC's Top casting directors and agents. It is a rare and unique opportunity for kids to get a level of training not available at other acting studios. At A CLASS ACT we strive to build a child’s self-esteem in a non-threatening, non-competitive atmosphere. All workshops and classes are held in Midtown Manhattan.
Location: New York City

William Esper Studio
Objective: The William Esper Studio offers one of the most comprehensive training programs in the country for professional actors, and is considered the foremost studio dedicated to Meisner-based actor training. The core training at the studio is the two-year acting program, which guides the actor to a full realization of self and the building of a truthful acting instrument. Students supplement this core training with a full range of complimentary courses focused on developing their physical, vocal and interpretive abilities.
Location: New York City

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